The aim: does the label change the drawing?
Ambiguous figure — a drawing reasonably seen as more than one thing; the verbal label is the word supplied with it. The aim: whether the language describing such a figure changes how it is later reproduced from memory. It rests on reconstructive memory — recall rebuilds an experience rather than replaying a copy. It did not test drawing skill, nor claim people misperceive: the question is what happens between seeing and redrawing.
Procedure: 12 figures, two lists, a control
Learn the steps — "people drew shapes" earns little. (1) Twelve ambiguous figures, each seeable two ways (spectacles or a weight). (2) Two word lists naming the two objects. (3) Different participants per condition — List 1, List 2, and a control, no label. (4) Shown one at a time under controlled conditions, same time and order. (5) Drawn from memory, judged for a shift towards the label. Figures must be truly ambiguous; the control gives the baseline.
Findings: labelled shift, control stays close
Split results (what was drawn) from conclusions (what they mean); a 2-mark findings item wants two unique results. Results: labelled drawings shifted towards the label, the same figure returning as a curved bridge (eyeglasses) and a thick bar (dumbbells); the control stayed close. Conclusion: language affects how information is stored and recalled, so memory is reconstructive. Best AO3: it cannot say where distortion happened — storage, or only drawing.
Drawn from real examiner reports.
Describing the study, not its mechanism
The point examiners record here — and most answers omit. Vague: "shapes with words, so language affected memory." Creditworthy: the label primes the drawing — labelled eyeglasses it came back with a curved bridge, labelled dumbbells with a thick bar. Self-test: does my sentence say why the drawings differed? "Language affects memory" just restates the finding.
Examiners require the mechanism here — the verbal label priming the drawing, with labelled figures redrawn towards the label and unlabelled ones drawn as seen (June 2024 P2 Q26).
An "improvement" that destroys the study
Examiners record candidates proposing changes that wreck the design, commonly replacing the ambiguous figures with recognisable images such as a company logo. But the design rests on each figure being open to two readings: a logo has one reading, so a label cannot shift the drawing and no effect remains. Any improvement must keep the ambiguity and the control.
Examiners record candidates proposing recognisable images such as a company logo, which destroys the study by removing the ambiguity the label works on (June 2019 P2 Q27).
Improvement asked for, weakness given
An improvement is what you would change if the study ran again; a weakness is what is wrong as it stands. Examiners record a weakness given where an improvement was asked, and the reverse, most series. Here "the task is artificial" is a weakness; "also test it with a real remembered event" is an improvement. It must be in the researcher's control.
Improvement-versus-weakness confusion recurs across sittings — a weakness given where an improvement was required (June 2019 P2 Q3c, June 2024 P1 Q5b).
What the study did not show
"Told to draw the object": no — they reproduced the figure shown; the label only said what it resembled. "Saw a different shape": no — all saw the same figure; the difference is at recall, a memory claim. "No control group": there was one, given no label. "Any pictures work": no — figures must be ambiguous. "It is Gregory's theory": no — this is a study supporting it (8.1.3).
A result given where a conclusion was asked
A result is what the drawings showed and needs no psychology to state; a conclusion is what the researchers infer from it. Result: the eyeglasses group drew a curved bridge. Conclusion: a verbal label becomes part of what is remembered about an ambiguous figure. Asked for a conclusion, do not restate the drawing — say what it shows about memory.
A restated result offered where a conclusion was required is a recurring zero (June 2023 P2 Q1f, June 2024 P1 Q5a, June 2024 P1 Q11a).
A 2-mark describe needs two unique points
On a 2-mark describe, one point reworded scores one mark across both sentences. Same finding twice: "the labelled groups changed their drawings towards the label" and "their drawings looked more like the word they were given." A genuine second point is the control staying close to the original, or the same figure redrawn two ways by the two groups.
A 2-mark describe needs two unique points rather than one reworded (June 2023 P2 Q22).
A "difference" needs a connective
Asked for the difference between two conditions, two definitions side by side score one mark — the difference was never stated. One mark: "the labelled group shifted; the control did not." Two marks: "the labelled group shifted towards the label, whereas the control drew it as shown." The connective — whereas, while, but — earns the second mark.
A described difference needs a connective rather than two definitions side by side (June 2019 P1 Q6, June 2022 P1 Q7).
Structure the 9-mark Assess
The 9-mark Assess is marked AO1 3, AO2 3, AO3 3; the 7-9 band is missed for lack of AO3 and balance. Give two study details (one the mechanism), then scenario application, then one evaluation each way with a conclusion. Continuous prose — bullet essays are not accepted.
AO3 needs AO2 — apply with detail
AO3 cannot be credited unless AO2 is present, so evaluation with no scenario link scores nothing. Application means the scenario's own detail: what was seen, the word used, what was reported. Naming the character, repeating the stem or lifting a sentence is not application.
Justify AO3 with a mechanism
"This supports the theory" is not justification — state the mechanism separately. The strongest pair: the standardised, controlled presentation (reliability) against the artificial line drawings and subjective judging (validity and objectivity).
The specification asks for four things about this named study: its aim, its procedure, its findings (results and conclusions) and its strengths and weaknesses. Learn them as four blocks, because that is how the questions are set. The one thing examiners insist on is the mechanism: the verbal label primes the drawing.
Ambiguous figure — a drawing that can reasonably be seen as more than one thing, so the eye alone does not settle what it is.
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